Written by Skye Jethani, a contemporary author, speaker, and pastor. This is an excerpt from his book “What if Jesus Was Serious about Prayer?”
If God already knows all things, why do we speak to Him in prayer? And if our heavenly Father already knows what we need before we ask Him…then why do we ask Him for anything at all? In other religious traditions with fallible and capricious gods, it makes sense to pray. In superstitious religions, proclaiming the right words, in the right order and at the right time, is how one controls deities or provokes them to act. The God of Scripture, however, is not fallible, ignorant, or manipulated by any human device, and our prayers do not add to His knowledge in any way. Christian prayer, therefore, is not a means of controlling or informing God, because nothing is hidden from His sight and no one possesses more power. Still, He invites us to make ourselves and our requests known to Him in prayer, because He desires to relate to us. Through prayer we participate with God and cooperate as persons rather than mere objects of His knowledge…Our Lord sees our needs and He can meet them without our prayers, but He longs to give us something more. He wants to give us Himself…In prayer we lift our eyes to look upon the face of God and He bestows upon us the unimaginable dignity of looking back.
And when you pray, do not keep on babbling like pagans, for they think they will be heard because of their many words. Do not be like them, for your Father knows what you need before you ask him. [Matthew 6:7-8]
Many don’t know that when Vincent van Gogh was a young man he served as a missionary among coal miners in Belgium. The experience left him with a deep admiration for the working poor. They did not understand deep theology, and most did not practice acceptable forms of piety, but they possessed God with a raw authenticity very different from the stiff religiosity van Gogh had known since his childhood. Vincent produced a charcoal drawing in 1882 that captures his esteem for the coal miners he served. It features an elderly man in a chair near a fire with his face buried in his hard, peasant hands. The reason for the man’s posture isn’t immediately clear. He could be crying or exhausted, but van Gogh revealed the truth with the drawing title—At Eternity’s Gate. It’s a portrait of a peasant in prayer. In a letter Vincent wrote, “This is far from theology, simply the fact that the poorest little woodcutter or peasant on the hearth or miner can have moments of emotion and inspiration which give him a feeling of an eternal home to which he is near. Van Gogh understood that powerful prayer is available to the ordinary, simple, and even the ignorant. It is for children and peasants, not just the pastors or the powerful. Sometimes we are impressed with those who pray with eloquence or who weave deep theology and Scripture into their petitions to God, and yet the prayer of an unschooled woodcutter asking his heavenly Father for his daily bread can possess the faith to bridge earth and eternity.